Tuesday, January 14, 2014

Blog Post: Oedipus Rex Introduction

As in introduction to the play, story, and tragedy Oedipus Rex (The King), there is no better place to start than the main character. Oedipus is a king, and a strange one at that. He was fated to kill his father and marry his mother, which was a common monomer for young royal bloodline boys of that time. His parents, disobeying the gods and attempting to change the inevitable fate, told one of their servants to chain Oedipus high atop a mountain and drive steel stakes into his ankles so he couldn't escape. But the servant, taking pity on the young boy, took him to a nearby kingdom to the king and queen that lived there, for he knew they could not produce a child of their own. The king and queen accepted him for theirs to raise, naming him Oedipus after his swollen ankles. His real parents never knew that Oedipus lived this, and when a town drunk told Oedipus that his real parents had left him to die, he was devastated. The town drunk was right, but when Oedipus asked his adopted parents if this was true, they told him that they were defiantly his real parents and not to worry about the drunk, because after all, he is just a drunk. Oedipus believes them, and soon, after a series of events and a riddling sphinx, the fate he so desperately tried to avoid is fulfilled.

Sophocles
 Oedipus Rex is a classified as an ancient Greek Tragedy, and was produced and written as a play in Athens by a wealthy elite named Sophocles. Sophocles was a famous artist even before writing Oedipus Rex, but is most well known for his series including Oedipus and his dramatic irony.


Dramatic Irony
Dramatic irony is defined as The dramatic effect achieved by leading an audience to understand an incongruity between a situation and the accompanying speeches, while the characters in the play remain unaware of the incongruity. The audience knows what is going to happen to Oedipus before it happens. Dramatic irony is a way to compel your audience to feel sad for the tragic hero without being confused or unaware of his pain. Oedipus is the tragic hero, and the audience relates to him through dramatic irony.


Teiresias
Teiresias is the son of Oedipus and Jocasta, Oedipus' mother. She is constantly struggling to feel excepted by the other people of her kingdom, for they don't respect her and her mark of being an inbred girl. Teiresias is a story of a strong woman, probably the first feminist play ever written, and follows her as she struggles socially in her own life and outside in others. She follows the path any other hero would.


Fate
Fate is a very broad word with a very broad definition. Fate could simply be something you feel that pushes you towards your goals, something your control and make for yourself, or something that you may not even believe exists. To the ancient Greek people, fate was a very important term. Fate was everything to them. In Greek mythology, fate was decided by the oracle of Delphi. Once your fate was determined, you couldn't change it or escape it. Fate was inevitable.


Greek Theater
Greek theater is one of the greatest forms of art and expression throughout history. Greek theater began as a term to describe the idea of huge amphitheaters sometimes holding over 10,000 people all watching a long, play or event together, but it soon evolved to something much more. Greek theater has now become a style. To have a Greek play is to speak in a certain way and follow the hero's circle, but usually a tragic one. Dramatic irony is one of the traits of Greek theater too.


Oedipus Rex
As the character, it is debatable if a real Oedipus ever lived, or if any of this tragic story is based off any real events. Nonetheless, Oedipus is a character we can all enjoy and find our own tragedy comforting in. Oedipus is a king, and a strange one at that. He was fated to kill his father and marry his mother, which was a common monomer for young royal bloodline boys of that time. His parents, disobeying the gods and attempting to change the inevitable fate, told one of their servants to chain Oedipus high atop a mountain and drive steel stakes into his ankles so he couldn't escape. But the servant, taking pity on the young boy, took him to a nearby kingdom to the king and queen that lived there, for he knew they could not produce a child of their own. The king and queen accepted him for theirs to raise, naming him Oedipus after his swollen ankles. His real parents never knew that Oedipus lived this, and when a town drunk told Oedipus that his real parents had left him to die, he was devastated. The town drunk was right, but when Oedipus asked his adopted parents if this was true, they told him that they were defiantly his real parents and not to worry about the drunk, because after all, he is just a drunk. Oedipus believes them, and soon, after a series of events and a riddling sphinx, the fate he so desperately tried to avoid is fulfilled. Oedipus dies as a tragic hero, and is told through a dramatic irony sense.


Aristotle
As a brief overview, Aristotle is a very interesting character. He not only attended Plato's School of Thought, but also founded his own Academy soon after Plato's death. Aristotle was known as an incredibly intelligent man, so intelligent that he is credited for all of Alexander the Great's master battle strategy tactics and ability to take control and maintain over such a large empire. Aristotle is also credited with coming up with the idea of logic and reason, and using emotion as a tool. Tragedy is one of his tools he founded. He wrote many books about the idea of tragedy, often describing it as feeling happy about your sadness in a way that others could relate to. Tragedy was taken much further than this obviously, but it was Aristotle that initially came up with many of the fundamentals for it. Aristotle also came up with the idea of Hubris. Hubris means "Pride", but Aristotle always argued that pride is a bad thing. It keeps you from feeling all of the emotions you can, and can often get you into something that is way over your head. Aristotle also made a bold point that all bad things are derived from a man's pride. Aristotle was truly before his time, it would have been great to see what he would think of our world today.

Monday, January 13, 2014

Baraka Reflection

Throughout the movie Baraka, directed by Ron Fricke, there was a common theme that seemed to prove the point of the importance of literature in the world today even more than any other film I have ever seen. It had an ideal around the film as a whole, and was showing the connection the world has to make to itself for everything to work-that link being literature. It shows that communication is important and that when it comes down to it, we are all one. Literature does the same thing. This film was as close to a written document proving the importance of literature and compassion as a film can get, and it didn't even have any words in it. This film made me feel all the emotions I could. Seeing the poor families and mothers scrounging the landfill to scrape by a living was an angering peek outside the first world problems that is so often forgotten as just that-minimal first world problems. Feeling of peace and commitment to your fellow human beings prevailed as beautiful scenes of all the different cultures filled the majority of the film. All the different people from all different age, gender, culture, country, origin, and race staring back at you made you feel true understanding. True compassion. Even with all these sad realizations, there were still some scenes that were simply beautiful. The low clouds over the mountains, the peak of the Himalayas shining, the black stone shine in the middle of the holy land were all stunningly impactful just to see. Even the burning oil fields of Kuwait were majestic in their own way. Each of these shots give the emotion of inner peace, and a lust to see the real world, not the fake one like the busy streets of New York and Tokyo. Slow music for the beautiful scenes and a fast paced tempo for the not so peaceful ones gave the film even more feeling. It intensified the emotions of the shots. The movement and transition of the scenes also intensified the emotions being displayed. Everything started calm, went a little deeper, and then ended a little bit stronger with a more sad but pleasing emotion. As the theme of this movie, it seemed to be pressing the point of unity. It was trying to convey that we're all not that different and that the human race as a whole is one. We shouldn't hate each other over our differences, because our differences are what make our culture. The fact of everyone being the same but still different enough to be unique is the theme portrayed by the film Baraka. Everyone has their own ideals and values, and that's what makes them who they are.
As a personal review of this movie, I can honestly say I enjoyed it. It was a little slow and almost put me to sleep at times, but I thought the cinematographer was a very skilled one, and knew what he was doing. I liked the message that this film portrayed too. I like the idea of peace and unity. I felt good after watching it. Baraka is a great film that I appreciate and would recommend to anyone else I think would enjoy watching it.